Critical Ethnography
Method, Ethics, and Performance
What is critical ethnography? How do we use theory to interpret research data? What is performance ethnography? Readers can find answers to these fundamental questions in D. Soyini Madison's engaging and highly multidisciplinary Third Edition of Critical Ethnography: Methods, Ethics, and Performance.
The book presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The productive links between theory and method are celebrated in this title. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that "enact" the interdependence between theory and method and the significance of social theory, ethics, and performance.
Key Features:
- Cutting-edge approach and perspective: It is the first book to explore and focus on the intersections between theory, fieldwork methods, performance, and praxis.
- Global examples and material: Theories, methods, and examples are drawn from scholarship that extends beyond the West to include developing world and post-colonial thinkers and practitioners.
- Effective pedagogy: Examples of ethnographic projects illustrate more abstract or complex discussions and concepts.
Critical Ethnography reaches out to any student conducting field research. In particular, upper-division undergraduate and graduate students taking courses in ethnography, qualitative research methods, critical/cultural research methods, or advanced research methods will find this book to be of great value.
“Critical Ethnography is, without question, the go-to guide, practically and philosophically, for anyone interested in serious discussions about ethnography's ethical, political, and epistemological implications. Madison's thoughtful and compelling book has long been central to the ways in which I work with my graduate students and undergraduates on the benefits and challenges of thinking ethnographically, and this 3rd edition makes her classic offering all the more relevant for newer audiences. I look forward to assigning it in courses!”
“This remains the book I wish I had written. It is grounded in fieldwork and theoretically inclusive from Conquergood to Turner, Spry to Schechner, Pollock to Pelias, Boal to Bakhtin, auto ethnography to critical performance ethnography. Politics, ethics, action, memory, biopolitics, performative writing, the global, inquiry as praxis, it is all here.”
“This book is indispensable. No other book shows the essential connections between method and ethics so clearly and effectively. It is as much an essential introduction to ethnography as it is an enticing invitation to a way of being in the world with others.”
“D. Soyini Madison’s work is the keystone of ethical performance ethnography where all practices in the field and on the stage are grounded in enfleshed theories of embodiment. The third edition of Critical Ethnography continues this scholarly foundation by offering emergent strategies to guide us through troubling times and into spaces and places of hope and possibilities.”
“The latest edition of Critical Ethnography exemplifies D. Soyini Madison¹s exemplary ability to combine rigorous theorizing and principled field pragmatics. From its expansive discussions of ethics and handling difficult interviews to its deeply generative examinations of mindfulness in the field and multi-sensory storytelling using a variety of aesthetic modes, this book is an essential guide for critical interdisciplinary qualitative researchers at all levels. It is both a toolkit and an inspiration.”
I was not able to teach the Thesis 2 qualitative class this year, but Madison is the best. Her explanations are clear and practical, yet still steeped in theory.
